glicol

This is a cool project, but it seems like it hasn't been updated in a long time? It seems like https://github.com/chaosprint/glicol has a similar problem.

very cool. But I don't understand why ES8311 mono audio codec is used here. I recently successfully run Glicol (https://github.com/chaosprint/glicol) on Pico 2 and I am building a prototype board for myself. AIC3204 is my first choice for now and it's not that expensive

I am creator and maintainer of several Rust projects: https://github.com/chaosprint/glicol https://github.com/chaosprint/asak For LLM, even the latest Gemini 2.5 Pro and Claude 3.7 Thinking, it is difficult to give a code that can be compiled at once. I think the main challenges are: 1. Their training material is relatively lagging. Most Rust projects are not 1.0, and the API is constantly changing, which is also the source of most compilation errors. 2. Trying to do too much at one time increases the probability of errors. 3. The agent does not follow human's work habits very well, go to docs.rs to read the latest documents and look at examples. After making mistakes, search for network resources such as GitHub. Maybe this is where cursor rules and mcp can work hard. But at present, it is far behind.

There is an example of arrange node: https://github.com/chaosprint/glicol/discussions/114 But it's not complete yet. I have indeed been considering chords, but the syntax needs more changes and design. But according to your description, https://strudel.cc/ can bring you a lot of fun. Compared with Strudel/Tidal, Glicol provides more on precise time control in audio engine, low-level sound synthesis and sampling capabilities (needs more development but completely feasible).

very nice. really love the ui. for wasm you can have a look on my work: https://glicol.org/ https://github.com/chaosprint/glicol I wrote the audio engine in Rust and load it in JS with AudioWorklet and SharedArrayBuffer

it's one of my phd works. there was a conference paper but it seems that the database of the whole conf was gone... still you can find some philosophy here: https://github.com/chaosprint/glicol the glicol-cli is also a relatively special work: https://github.com/glicol/glicol-cli

Signalsmith Audio always has great posts. Their article on pitch shift is also worth a look! I have also posted before: https://news.ycombinator.com/item?id=36706588 Speaking of reverb, I implemented a Dattorro reverb (https://ccrma.stanford.edu/~dattorro/EffectDesignPart1.pdf) in Rust before. https://github.com/chaosprint/dattorro-vst-rs It's based on Glicol source code here: https://github.com/chaosprint/glicol/blob/main/rs/synth/src/... You can play with it here: https://glicol.org/demo#handmadedattorroreverb Also you don't want to miss the Tom Erbe's reverb patches in Pure Data. Patches demonstrating several types of reverb (Schroeder, Moorer, Moore, Gerzon, Dattorro): https://tre.ucsd.edu/wordpress/?p=625

This is awesome. A great interactive piece that is simple and fun. Love the idea of the random ball spawning. I seem to have triggered "infinite sample playback" when I stuck the ball in a corner and the audio crashed. One experience I've had with this kind of large sample playback (in SuperCollider) is that by dynamically reducing the volume, it creates an interesting textured sound [1]. Of course for every project using Tone.js I would like to mention one of my project glicol.js which is in active development [2]. It has better performance but needs more use case to find what's needed in the API. [1] https://github.com/chaosprint/Packing [2] https://github.com/chaosprint/glicol

I've worked on Ambient Engine and now on the Bevy engine. I totally agree with these points, very valuable. I only make some comments from my professional (audio) perspective: We need the highlight author's affirmation of cli. Rust's tui (ratatui) is great. I used it to make Glicol-cli [1]. If you are a Linux user, you are welcome to test the music production of the code. Speaking of game audio, I actually think rust is perfect for audio. I have also continued to develop Glicol [2] recently, and my recent goal (starting tomorrow) is the bevy_glicol plug-in. I want to solve bevy's audio problem on the browser. All in all, even though I've had my share of pain with ecs, I still think rust is very valuable for game and app development, maybe not multiplayer AAA, maybe practical apps. [1] https://github.com/glicol/glicol-cli [2] https://githu

nice work! Have you tried to port it to WASM? Python can also call the wasm with wasmer I ported https://github.com/chaosprint/glicol for my Python audio project using the same method for your physics idea, with wasm, perhaps it can be something like this? https://jackschaedler.github.io/karplus-stress-tester/

https://github.com/chaosprint/glicol you can check my project; audio synthesis in browsers without gc

Some readings: [1] Dean, Roger T. The Oxford handbook of algorithmic music. Oxford University Press, 2018. [2] Blackwell, Alan F., et al. Live coding: a user's manual. MIT Press, 2022. [3] Kirkbride, Ryan Philip. Collaborative interfaces for ensemble live coding performance. Diss. University of Leeds, 2020. [4] Roberts, Charlie, et al. "Rethinking networked collaboration in the live coding environment Gibber." (2022). After experimenting with PD, Csound, SC, Tidal, and Glicol for several years, I am now working on a time-stretching/pitch-shift algorithm, together with some FM synthesis with LLM: https://github.com/chaosprint/glicol/discussions/139 What I want to say is that there are also many underlying algorithmic patterns in sound itself. In digital music, it's the sample-level pattern. It's fascinating to think about it, especially in

very cool stuff! really inspiring. I am developing https://github.com/chaosprint/glicol and I am planning to have more bytebeat style of examples.

That's really lots of work from a one-man band. I can empathise as I am also developing https://github.com/chaosprint/glicol Since you mentioned wasm, I think it would be great to have a REPL on the website in the future.